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Research & Practice

RESEARCH FOCUS

My research investigates the intersection of musicology, digital culture, collective voice, and human experience.I explore how virtual choirs reshape participation, emotional connection, and musical presence within digitally mediated environments, with a growing focus on temporality, relationality, and collective emotional experience.

RESEARCH APPROACH

My research combines artistic practice, phenomenological observation, and cultural analysis.Rather than treating virtual choirs as purely technological objects, I explore them as relational environments shaped by sound, image, participation, temporality, and emotional experience.My work develops through practice itself — through creating, coordinating, observing, and reflecting on digitally mediated collective singing.

Visual representation of a virtual choir connection

‘Sanctus’ (2018)

CURRENT DIRECTIONS
Current Research Directions

Current research explores virtual choirs as relational and affective systems within digital musicology, with particular attention to asynchronous participation, collective emotional experience, and temporally mediated forms of connection.Additional interests include artistic research, audience participation, therapeutic and socially engaged musical practice, and new forms of reflective music writing.

SELECTED ENGAGEMENTS

Speaker at Music Encoding Conference (MEC 2026, Tokyo).

The Digital Voice of Connection (Regent 2025)

Exploring virtual choirs as a form of regenerative pastoral practice and digitally mediated collective experience.

Geen Choir Initiative (2024)

Presentation on transitioning professional choirs from paper scores to digital tablets, exploring sustainability and organizational practices.

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